The Russian poet Gortchakov, accompanied by guide and translator Eugenia, is traveling through Italy researching the life of an 18th century Russian composer. In a ancient spa town, he meets the lunatic Domenico, who years earlier had imprisoned his own family in a barn to save them from the evils of the world. As Eugenia seeks to tempt Gortchakov into infidelity, he, seeing some deep truth in Domenico's act, becomes drawn to the lunatic. In a series of dreams, the poet's nostalgia for his homeland and his longing for his wife, his ambivalent feelings for Eugenia and her Italy, and his sense of kinship with Domenico become intertwined.





There are very few people worthy of the accolade of "Genius" but the late Russian film-maker Andrei Tarkovsky was definitely one of them. In his film-making career he is responsible for some of the most beautiful images ever to be put on a cinema screen. (http://imdb.com/title/tt0086022/usercomments)




This was Tarkovsky's first film made outside the Soviet Union (and his first in a language other than Russian), but it is still very obviously a Tarkovsky film, complete with many haunting images of water and fire. in fact, instead of the beautiful, sun-drenched Italy we are used to seeing on film, here the country is grey, wet and shrouded in mist. As usual in Tarkovsky's films there are many changes between colour footage and black-and-white (or sepia). Here, the poet's memories of Russia are presented in monochrome (http://imdb.com/title/tt0086022/usercomments)




Words cannot describe Nostalghia, or, indeed, any Tarkovsky film. He is an artist who is completely unique - I can't think of any other auteur like him. I can't even think of any film that I've seen which tries to copy his style. It is inimitable. No one else is as patient. Tarkovsky's pans and zooms can take minutes. The penultimate sequence, where a man has to carry a candle for a certain distance without it going out, should be horribly boring. Any other director would have used a lot of cutting to produce suspense. Yet, with Tarkovsky's brilliant direction, without a single cut for nearly an entire reel, it becomes one of the most suspenseful and, yes, one of the very best scenes ever captured on film. (http://imdb.com/title/tt0086022/usercomments)

 

Queimada - 1969 emule linki full Arafat: Marifet, irfan, itiraf, teâruf meydanıdır. Politikacı sözlüğü:statüko'nun dili çözüldü.!!! PKK'nın teslim ŞARTI İnsanın kendini özgür hissetmesi! günlerin makâlesi